For rameena: Okay, which characterization choices bothered you? Because I got frustated with the second to last book (still haven't read Witch Witch, Black Curse) because it seemed like it was all about Rachel's sex life, and it was falling into the Anita Blake pit where everyone wants the heroine's ass. And then there was all this plotty stuff that was WAY more interesting than the boys in Rachel's life.
(FYI, flist - if you you also have thoughts about this, feel free to jump in.)
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I think the one character that keeps me reading is trent. I LOVE his character and I want so much more than what were getting.
Okay, im going to go hunt up the books and refresh my memory to see if any of this made sense.
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And while I understand why you feel that way about Rachel and Ivy, that totally wasn't my reading of it.
I really like how we've been given hints from the very first book that Ivy thinks Rachel can fix her, and has been maneuvering their relationship so that Rachel would be willing to do so.
Which is fucked up, manipulative, and kinda romantic all at once.
Rachel letting Ivy treat her like a lover, for me, it ties into the whole mess that is Rachel's love life. Plus, I honestly feel that she's more interested in Ivy than she's willing to admit, and that's half of the problem right there.
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But then, that's turned me off of most UF. It frustrates me to no end that, in a subgenre known for female leads and female authors, the only one I still read is by a man with a male lead. (Dresden Files. Which has nothing to do with DF or Butcher, but with what women are apparently expected to want in their fantasy, which is still very much a "male gaze" interpretation-clearly, our attention won't last more than 5 minutes if there isn't a love triangle involving Sexy Others, and the most appealing covers involve headless women half-dressed in leather. And it doesn't help that the things about UF that we all complain about the most-some of us more than others-are often included in the contracts by the publisher. Which accounts a lot for the series decline in quality when Patricia Briggs swtiched genres.)
(Ilona Andrews, though carrying many UF trappings, is actually post-apocalyptic fantasy, though I am willing to ignore technicalities in that regard.)
ETA: Wait! I take it back! I forgot about Marjorie Liu's UF series because I mostly think of her Dirk & Steele books when I think of her books.
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And Dresden Files is awesome. It has yet to fail me completely.
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Man, SF's screwed no matter HOW it tries to market women -- either for them or using them.
My biggest complaint IS the fact that UF is transcending into romance's darker, angstier cousin. I don't mind a little romance with my UF, but I read it primarily for the story and the characters. And it irks me to no end when the story or character is lost in favor of having yet another unnecessary sex scene with yet another supernatural, unhumanly gorgeous man.
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SFF actually has a very large female fanbase and a ton of female writers. They just get pushed aside for the men.
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As someone who doesn't like either love triangles or polyamourous relationships, most UF romantic plots leave me cold.
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Also, being contained and being able to figure out if you'll hate it or not early on makes it easier to read the bad ones to laugh at/appreciate the good ones.
I can't tolerate 99.9% of love triangles myself.
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(This can be gotten past in TV series because, even if you dislike it, you know that contracts and the actors' real lives and careers are a factor, but in book series, it's often a sign that the author feelss/he has written the series into a corner, and is trying to find a way out of it.)
Also, which tv shows, it's much less likely to happen, precisely because they sign a contract.
I honestly can't think of a love triangle that actually worked for me.
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And I just put Marjorie Liu's UF on my wish list.
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Anyway, I stopped reading around book three for many reasons, one of which is the reason you mentioned above. Rachel was turning into another Anita Blake; she had these hidden, super-supernatural powers, everyone wanted to do her blue, and she was getting a little TOO abrasive to be likeable.
But my main reason for quitting was the whole Rachel/Ivy thing. When they were friends, it was awesome. Ivy was fantastic, Rachel was fantastic. They were THE Dynamic Duo. But then things had to turn to sex.
I don't care that Ivy's a lesbian. In fact, I think that's pretty damn cool. What I object to is that it feels like, to me, that the decision to make Ivy gay was total fanservice. It didn't feel legitimate to the character, which is due to the way Harrison wrote it in.
I also haaaaaated the way Rachel acted with Ivy about it. Rameena said it perfectly in that she let Ivy treat her like a lover when she didn't feel the same way. To me, it cheapened Both Rachel's and Ivy's characters significantly.
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So, I totally disagree about the Ivy/Rachel relationship feeling unnatural, since it's been hinted at from the beginning (to my eyes), as has the
SPOILER
subtext that Ivy thinks Rachel can fix her, and has been maneuvering their relationship so that Rachel would be willing to do so.
Which is fucked up, manipulative, and kinda romantic all at once.
Rameena said it perfectly in that she let Ivy treat her like a lover when she didn't feel the same way. To me, it cheapened Both Rachel's and Ivy's characters significantly.
While I sort of agree with this, for me, it ties into the whole mess that is Rachel's love life. Plus, I honestly feel that she's more interested in Ivy than she's willing to admit, and that's half of the problem right there.
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And, around 3/4 of the way through the second book and most particularly in the third ... it's there. It was done too sloppily for my tastes and read like Harrison was just trying to draw in some fanservice.
If Ivy's character had been better established ( in terms of sexuality) in the first book, and the fucked up romantic portions a little more planned out, then I wouldn't have a problem with it. But as it stands, with the way it's written and portrayed, it weakens both characters for me.
Oh, off topic (sort of) but I'm on the second Vaugh book. And I love you. Thanks for rec-ing these to me.
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I'm just rereading the series at the moment as well. During the first book, I actually laughed out loud.
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"Crossed" by Nicole Galland. Qualapec actually let me borrow this. I'm very nearly done with it and it is FANTASTIC so far. Lilliana is an utterly delightful whore, and I looove the Briton in it.
"Johannes Cabal: The Necromancer" This one I'm very certain I might have pimped to you already. I was dying from laughter in the first chapter. Johannes is just pure win.
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Less excited about moving back home, but I need to not be paying full-rent for a while.
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*sighs* I'm sad now.
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Luckily I don't live with someone who concrits my tv choices (NOT LIKE RANDOM MORONS WHO WANT TO CRITIQUE WHAT I'M READING, FUCKERS), but I feel you on the grocieries thing.
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I just finished book 4, Fistful of Charms. I am kind of annoyed by the Twilightish turn that the Rachel/Ivy relationship is taking ((I'm sorry I bit you and almost killed you / No, I passively-aggressively secretly was asking for it, so it's my fault!)), but I figure it's going to come to more and more eventually.
I'm kind of torn on Rachel as a character. I like her and she's fun, but I don't like her as much as, for example, Mercy Thompson's character. Rachel is so reckless and she makes very risky decisions...I have to smack my head sometimes and think "Oh WHY did you just agree to that? Why did you just do that???" She's somewhat immature, and at least in book 4 her friends started to notice and complain about it some.
I still have a ways to go, and when I get further along I'd love to talk meta with you!
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I am kind of annoyed by the Twilightish turn that the Rachel/Ivy relationship is taking ((I'm sorry I bit you and almost killed you / No, I passively-aggressively secretly was asking for it, so it's my fault!)), but I figure it's going to come to more and more eventually.
Yeah, I started liking the series less at right around this book as well - that was the one where they went up north to get rid of the statue, right?