"It may look like I was being like a bitch, but that's only because I was acting like a bitch."

Okay, when this fannish5 showed up on my flist last friday, I almost laughed it was so perfect. Because to be honest, one of my huge pet peeves is shows that don't know when to end or have cop-out endings.

Five least satisfying conclusions (end of a tv series, movie, book - any media.)

1.)  Alias. This show dragged on way too long (Vaughn's not Vaughn! Vaughn's dead!) and clung to elements that didn't serve the story (asking me to believe that Sloane could flip-flop like he did and yet avoid getting a bullet from Jack is just too much).

2.) Avatar. First of all, I was never going to love Katara/Aang. It's just not the kind of pairing that I enjoy. That said, I was fine with it being endgame until the last three episodes, when the writers tossed in drama that was never resolved and Zuko/Katara ship-teases for the sole purpose of making me hurt. And then Aang got to win without losing anything or going against his moral code or getting his lily-white hands dirty. I'M ONLY A LITTLE BITTER, OKAY?

3.) Battlestar Galactica. The first half of the finale is pretty damn awesome. AND THEN HUMANITY DIES FOR ABOUT A BILLION TREATABLE DISEASES AND GUESS WHAT, THE WHOLE SERIES IS POINTLESS, LOLZ, robot dancing.

4.) True Grit. That epilogue was of no use at all and detrimental to my enjoyment of the film.

5.) The Sarah Conner Chronicles. Unlike the previous four entries, I think the last episode of TSCC is amazing but it also leaves me positively desperate to find out what happens next, which is a cruel and unsatisfying place to be left at the end of a show's run. Damn you, Fox!

And in an effort to be less bitchy, some shows that have done an AMAZING job with their finales (even if those finales are open-ended): Dark Angel, Dollhouse, Firefly (the end of the series, NOT the movie), Hellsing (manga, not anime), Legend of the Seeker, The Middleman, and Wonderfalls.

I Tell My Love To Wreck It All

Man, I am so exhausted. I spent my day off driving to the city to look at apartments. I had a lead on one that looked like an amazing deal... due to the magic of selective photography. The actual apartment was a yellowed, concrete box in a part of town that made me think, as soon as I got out of my car, why did I not bring mace? (It was the middle of the day, natch.) On the plus side, two blocks away the vibe was MUCH safer and I got the numbers of several different complexes that had vacancies.

What's really a bummer is that my schedule lately combined with my terrible sleep habits of the moment means that once again, I am starting off my work week tired and sleep deprived.

Could this have something to do with what a snarky bitch I've been on lj? I think so.

Things that are making me happy: strawberry pop-tarts, Haven, and Holly Black's new series. Now, to give you some background, I read Black's first novel Tithe, and hated it. I hated the book and I hated that she got an amazing cover design. During a recent trip to B&N, I was thinking about cover art and noticed that while the reissue cover for Tithe was terrible (thumbs up, publisher!), the cover for her book White Cat was AMAZING.



The flap copy reads:

Cassel comes from a family of curse workers -- people who have the power to change your emotions, your memories, your luck, by the slightest touch of their hands. And since curse work is illegal, they're all mobsters, or con artists. Except for Cassel. He hasn't got the magic touch, so he's an outsider, the straight kid in a crooked family. You just have to ignore one small detail -- he killed his best friend, Lila, three years ago.

Ever since, Cassel has carefully built up a façade of normalcy, blending into the crowd. But his façade starts crumbling when he starts sleepwalking, propelled into the night by terrifying dreams about a white cat that wants to tell him something. He's noticing other disturbing things, too, including the strange behavior of his two brothers. They are keeping secrets from him, caught up in a mysterious plot. As Cassel begins to suspect he's part of a huge con game, he also wonders what really happened to Lila. Could she still be alive? To find that out, Cassel will have to out-con the conmen.

This book is fabulous. Cassel has a great narrative voice; he's snarky and guilt-stricken and the story is wonderfully fast-paced. I just finished the sequel (Red Glove) and in the middle of the book, went 'oh my god, the parts of my flist who love Damon Salvatore HAVE to read this book.' (ever_neutral  and stainofmylove  especially.) As for Lila and Cassel... imagine that Katherine was a privileged mob-boss's daughter and Damon was her childhood friend. (Note: this isn't a perfect metaphor. For one thing, Cassel has a moral compass that Damon lacks and understands people in a way Damon doesn't. However, their senses of humor and their adorableness while being in love are quite similar.)

Red Glove just ups the emotional ante - I don't want to say too much but the book is all about Cassel's awareness of the sins he's capable of committing and his struggle not to be the monster he believes he is (one of my bulletproof kinks, as you all know). Also, the author delves into the implications of someone being able to change another person's emotions and how that affects the ability to give consent with such honestly that I was surprised Red Glove was able to be published as a YA novel.

On the subject of bulletproof kinks, I think I'm going to give this round of The 5 Acts meme a pass. I'm behind with a lot of television and on the fence with the rest, so I wouldn't even know what to ask for (besides Damon/Elena, oh pairing that I cannot quit). However, I just wanted to point out norgbelulah 's great description of the Fever/Delirium trope: "Ugh. It's basically intoxication with like a billion times more hurt/comfort. Who doesn't want that?!"