I'd have liked something, too, but this is Glee and I've long given up on expecting the writers to show us any actual depth into relationships that aren't Rachel/Finn/whoever-it-is-this-week, Will/Emma/whoever-it-is-this-week, or Kurt and his father. Which is really a shame sometimes.
This this this THIS THIS. THIIIIIIIIIIIIIIS. After last night's episode I was complaining to my best friend about how Glee sucks and she was like, sometimes I think you get too invested in things, and my mental response was I just love so many of the characters (damn youuuuuuuuuuuuu fanfiction!) I want them to be treated like characters and not just playthings tossed from plotline to plotline without any regard for anything.
Granted, I came to the show after falling for its fanfic, and it was a while before I was able to watch all the musical numbers in an episode. Basically, my head contains a canon for the show, and I ignore the inconsistencies and explain them away as inter-writer hatred. I think the writers just go out of their way to deliberately sabotage each other's favorite storylines.
(Example: One of them must love Puck/Quinn, while someone else thinks it's the worst idea ever. One assumes that everyone knows Puck and Quinn are living together after Sectionals, but since no one says anything, Someone Else decides to sneak in a line about how Puck's mom won't let her eat bacon. So One tacks on a storyline and has Puck devote an entire musical number to giving the baby a proper name, and Someone Else retaliates by having Quinn move in with Mercedes. Oh, the blood that must be shed during those brainstorming sessions...)
(I think at this point I have officially spent too long thinking about this show.)
Also, question for the world: Does Shelby know how her Vocal Adrenaline decided to psych out her daughter's show choir?
I think the writers just go out of their way to deliberately sabotage each other's favorite storylines.
(Example: One of them must love Puck/Quinn, while someone else thinks it's the worst idea ever. One assumes that everyone knows Puck and Quinn are living together after Sectionals, but since no one says anything, Someone Else decides to sneak in a line about how Puck's mom won't let her eat bacon. So One tacks on a storyline and has Puck devote an entire musical number to giving the baby a proper name, and Someone Else retaliates by having Quinn move in with Mercedes. Oh, the blood that must be shed during those brainstorming sessions...)
THIS. THIS. THIS.
This is the most logical and realistic reasoning for Glee's inconsistencies with relationships I have ever heard. IT MAKES SO MUCH SENSE. That is probably why every other episode seems to be shipping a different couple or putting emphasis on different relationships, and why Jesse was EVIL! Best boyfriend ever! Evil!
Also, question for the world: Does Shelby know how her Vocal Adrenaline decided to psych out her daughter's show choir?
Does she know how close Jesse came to deflowering her daughter? Inquiring minds want to know.
no subject
This this this THIS THIS. THIIIIIIIIIIIIIIS. After last night's episode I was complaining to my best friend about how Glee sucks and she was like, sometimes I think you get too invested in things, and my mental response was I just love so many of the characters (damn youuuuuuuuuuuuu fanfiction!) I want them to be treated like characters and not just playthings tossed from plotline to plotline without any regard for anything.
Granted, I came to the show after falling for its fanfic, and it was a while before I was able to watch all the musical numbers in an episode. Basically, my head contains a canon for the show, and I ignore the inconsistencies and explain them away as inter-writer hatred. I think the writers just go out of their way to deliberately sabotage each other's favorite storylines.
(Example: One of them must love Puck/Quinn, while someone else thinks it's the worst idea ever. One assumes that everyone knows Puck and Quinn are living together after Sectionals, but since no one says anything, Someone Else decides to sneak in a line about how Puck's mom won't let her eat bacon. So One tacks on a storyline and has Puck devote an entire musical number to giving the baby a proper name, and Someone Else retaliates by having Quinn move in with Mercedes. Oh, the blood that must be shed during those brainstorming sessions...)
(I think at this point I have officially spent too long thinking about this show.)
Also, question for the world: Does Shelby know how her Vocal Adrenaline decided to psych out her daughter's show choir?
no subject
THIS. THIS. THIS.
This is the most logical and realistic reasoning for Glee's inconsistencies with relationships I have ever heard. IT MAKES SO MUCH SENSE. That is probably why every other episode seems to be shipping a different couple or putting emphasis on different relationships, and why Jesse was EVIL! Best boyfriend ever! Evil!
Does she know how close Jesse came to deflowering her daughter? Inquiring minds want to know.