So, the combination of reading Side Jobs while my mom is reading Dragon Bones made me realize another one of my bulletproof kinks: people who are LEGITIMATELY* afraid of what they're capable of and struggle with where their moral lines are.
Examples would be: Harry Dresden; Ward of Hurog; Alexandra Udinov, daughter of Nikolai Udinov (BANG. BANG.) (I'm on the fence about The Doctor.)
What do you think of this trope? Who are your favorite characters who embody it? Tell me in the comments.
*By which I mean, it's not just that these characters have moral qualms but have to actively safeguard themselves against being as bad as the people they're fighting. So I would argue that Sarah Coner wouldn't apply but Raylan Givens is SO MUCH THIS. And yes, I have noticed that it is a VERY male-dominated trope.
Examples would be: Harry Dresden; Ward of Hurog; Alexandra Udinov, daughter of Nikolai Udinov (BANG. BANG.) (I'm on the fence about The Doctor.)
What do you think of this trope? Who are your favorite characters who embody it? Tell me in the comments.
*By which I mean, it's not just that these characters have moral qualms but have to actively safeguard themselves against being as bad as the people they're fighting. So I would argue that Sarah Coner wouldn't apply but Raylan Givens is SO MUCH THIS. And yes, I have noticed that it is a VERY male-dominated trope.
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I've always loved this trope. I can't think of any character that I know would embody it though, since they always seem to cross the line for some necessary evil or other :D
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Well then, Scar from FMA and Hei from Darker Than Black would be my choices!
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All others are pale imitations!
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As far as characters who embody this trope, I'm really liking the magician Anders, from the game Dragon Age 2.
In the DA universe, mages are vulnerable to possession by powerful spirits that live in the collective unconscious, most of which are nasty "demons" that embody things like lust, rage, and hunger. This means that everyone else is terrified of mages (not without good reason) and they get carted off to glorified prisons while they're still children.
Anders was one of those kids. In school/prison he trains to be a magic doctor. He escapes, and does what he needs to do to live free. But one day he runs across an unusual type of spirit -- a spirit of justice, rather than baser human emotions. He decides to merge with it in order to gain the power to help his brethren, because he feels guilty about having only cared about his own survival.
Unfortunately, Anders' pent-up anger about the whole situation transforms the spirit into a spirit of vengeance. Anders immediately realizes that he's made a huge mistake, but can't do anything about it. He spends the next ten years desperately trying to be more of an activist than a terrorist... only to fail spectacularly, because in the end, he is what he is.
I like the tragedy of the whole thing. Plus the fact that it takes an empathetic (metaphorical) look at what might drive a person to terrorism, without excusing terrorist acts themselves.
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That is a really good distinction. I think you hit the nail on the head.
And Dragon Age and Anders sound FASCINATING. A very interesting character and a great example of a story saying something relevant while also being an amazing story on it's own legs.
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Kenshin from Rurouni Kenshin is probably still my favorite use of this trope, at least in the first couple of arcs. Though, to be fair, it's been years since I read or watched the series, so I might not feel as compelled by it as I did when I was younger. For example, it's shounen and I know it doesn't get quite as dark with his struggle as I might prefer it now. But I remember honestly feeling his struggle as someone who had killed extensively in a war at a young age and who never wanted to let himself return to that state of mind. And I also felt it was honestly HIS struggle for HIS reasons, rather than the narrative defining what's righteous and pushing him in a certain direction. So I think it was handled well considering the target demographic.
There's also Xena, who I think worked the trope pretty well for awhile, but only for the first couple of seasons, really. Once the writers started bringing in Christian mythology and themes into the series I very quickly got fed up. Which is unfortunate, in retrospect, because like you said it's usually a male dominated trope and it was nice to see it used with a female character.
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Yes, omg yes, I agree! That bothered me as well, my family found the history!warp hilarious (I think by then it was a matter of trying to figure out what to do with the series and leveling up the issues from a personal to a univeral level before wrapping up the series) but I watched the whole series faithfully until the end anyway and enjoyed those episodes for the costume designs and the surprise!AU factor. XD
I gotta say..I love the Eastern culture influence in the series.
Dear God...Callisto...
Nevertheless, Xena was an awesome character ♥
(I don't have any Xena icons, so here's a Wonder Woman one :D)
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But I think overall, it was a good show, and very feminist for the time (and, actually, I watched a bunch of episodes from the first couple of seasons again not long ago and thought it held up pretty well).
And Callisto is one of my favorite villains ever. She was crazy and evil and yet extremely well motivated and I thought she was given a lot of depth (by the actress if not by the writers). She was so amazing, but the way they handled her in season 5 bothered me SO MUCH because she had no agency in her own redemption. And I mean I wouldn't have minded a redemption story for her, but the way they actually did it just felt cheap.
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If there was one itty bitty thing I would have changed about Callisto, it would have been the constant and extremely apparent psychological imbalance. I think that part of Callisto's character was wayyy overdone. Imagine how much more terrifying Callisto would have been if it was harder to predict when her insanity would manifest? XD
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Word. I adored Callisto as a kid- way more than any other villain on the show. Her back story was definitely the most heartfelt, or at least it resonated with me the best at the age I was...
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Agreed. One reason I think that Harry Dresden works so well for this is that he DOES do massively questionable things, is sometimes questioned by characters in text YET THE TEXT ITSELF is pretty much entirely supportive of him.
There's also Xena, who I think worked the trope pretty well for awhile, but only for the first couple of seasons, really. Once the writers started bringing in Christian mythology and themes into the series I very quickly got fed up. Which is unfortunate,
So unfortunate. My mom and I were SO disappointed with Xena when the writers started writing 'on the bad crack' as we phrased it. I have never even seen the last couple of seasons.
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I think I watched quite a bit of season 5, but might have quit around the midseason break, because I don't think I saw the end of that season and I know I didn't watch season 6. Though I caught bits and pieces of a couple of episodes and facepalm'd a lot. It really is unfortunate because the first couple of seasons were so strong, but then all of a sudden it was like "wait, what are they doing?"
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And does he *ever* have to actually work at it- excellent example!
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Also, I am so embarrassingly late to this party.
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And Angel is an EXCELLENT example. Season two was basically ALL ABOUT THIS.
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Cho Hakkai.
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OMG..I..*slaps self* YES!
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I can't believe I forgot to put Hakkai on here! (I did when I was mentally formulating this post, I swear.)
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There are probably a few more dangerous ladies that I can think of, but my brain's kind of dead atm.
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I'll have to check out The Thirteenth Child. I've heard mixed things.
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Thirteenth Child can be kind of hard to read, but part of that is because of how painfully right Wrede got the child's mindset. As the supposedly unlucky thirteenth child, Eff blames herself for everything. That gets old quickly, but it hits harder once you get that that's how kids actually think. When things go wrong, a child's response is to think that it's their fault, especially if they've been constantly told that they're the source of all evil, like Eff was. A lot of the plot of the book is her figuring out that she's not bad or even unlucky, and that she doesn't have to be afraid of herself.
For added bonus, the book has woolly mammoths and dragons. How much more awesome can it get?
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Because WOW did Rachel *ever* represent this trope- I don't know any other "kid" series at that point that actually takes the reader though a main character's (especially a girl's!) head as they slowly lose their grip of right and wrong because they start out willingly taking the morally ambiguous missions to keep everyone the fight with hands "clean"-- and then most distressingly to themselves, in Rachel's case, start *enjoying* being the one who deals the most damage to the enemy.
And then there's when she goes up against Taylor- who is essentially a Rachel lookalike who sold her family/brain/essentially her soul to regain her pretty face/social position (Seriously, Rachel's boyfriend who has just been tortured by Taylor actually calls Rachel the 'twilight' to Taylor's 'night' at the end of the first book Taylor is in)-- and David- who has all of her darker character flaws with none of her overwhelming sense of loyalty to those she loves. REALLY DARK ARCS IN THE SERIES.Seriously, her ending is still one of the best done young-lit character deaths *ever* IMO.
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And- with ironically perfect timing- Scholastic is releasing the series this year. (All kinds of rereads/character discussions/etc are planned at
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So far...my favorite character that may embody this trait is Andrew "Ender" Wiggins (main character from Ender's Game). He knew that he understood how to fight in war well, but at the same time he hated himself for the ability. Unfortunately, he got sent into Battle School, even though it is the less of the two evils (the other choice was staying under his power-hungry brothers' control, which could lead to him having to fight his psychopathic brother's manipulations all the time). However, he got manipulated into having to fight from a corner at Battle School all the time, and even had to kill someone in order to survive, even though he felt that he could have not had to go to such dire measures. In the end, the government officials manipulated him into wiping out a major part of the alien society that he was trained to wage war against, and Ender pretty much had to escape and run away with his subordinates because of his ability to fight in war, as well as find ways to protect the last of the alien species he was once fighting against.
I admit, Ender's ability is probably more well-controlled than the other examples listed by everyone else here, so...yeah, he probably might not count. ^^;
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Luther is a show I've just recently gotten into in a huge way. Brit show, so naturally they tease me with a six episode season. The main character Luther, played by Idris Elba, fits this trope nicely, me thinks. He's a detective that deals with the more grisly murders, and has been dipping in to that for too long now it seems.
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And thanks for the info about Luther; it'd heard people talking about it being a good show, but this is the first time I've learned about the premise.